Rachmaninoff

@ Seoul Art Hall

Metamorphosis

Own Composition, Music Video

Stravinsky

@ Baum Art Hall

Debussy

@ Youngsa Art Hall

Biography

A native of South Korea, Dr. Hyun-Kyung (Kate) Lee has established herself as a distinguished pianist, artistic director, and international juror, acclaimed for her expressive depth and imaginative programming. She has appeared in over forty solo, concerto, and chamber recitals across the United States, Korea, and Europe, performing in major venues including Carnegie Hall and Steinway Hall in New York, and the Seoul Arts Center in Korea. Her European engagements include concerto and recital performances in Italy, Warsaw, Katowice, and other Polish cities, as well as collaborations with orchestras and festivals throughout the region. She has also given performances in Hong Kong.

A versatile artist, Dr. Lee is equally at home in classical and contemporary repertoire. She has premiered numerous works by modern composers, including several by OckMi Han, a French-trained composer with whom she shares a longstanding artistic collaboration. Her performances often bridge disciplines—combining piano, dance, and multimedia to create innovative and immersive concert experiences.

Dr. Lee previously served as Professor of Piano at Kangwon National University and at the Catholic University of Korea, and as Lecturer at the Catholic University of America in Washington, D.C. She has presented masterclasses across Poland, Japan, Hong Kong, Indonesia, and Korea, and has been invited as guest faculty by leading institutions such as the Karlowicz Music School in Katowice and the Chopin Music School in Warsaw.

As Founder and Artistic Director of both the Chopin Avenue Music Organization and K Novart Organization, Dr. Lee curates international competitions, festivals, and prodigy series in Europe and Asia. Through these programs, she is devoted to discovering and mentoring exceptional young musicians, guiding prizewinners of major international competitions through masterclasses, concerto collaborations, and artistic residencies. Her visionary leadership continues to shape the next generation of global performers.

Dr. Lee earned her Doctor of Musical Arts in Piano Performance from The Catholic University of America in Washington, D.C., and a Master of Arts in Performance from New York University. Her principal teachers include Miyoko Lotto, Sara Davis Buechner, Marilyn Neeley, Jose Ramos Santana, and Young Sook Kim..


My favorite composer is:
When I was young, my parents would hang calendars featuring the works of famous impressionist painters such as Monet. I was fascinated by the use of light and color and as I began to play piano I was immediately drawn to the work of Claude Debussy as his rich colorful melodies reminded me of the pastels of impressionist painters. It is one of my goals to eventually perform all of Debussy’s piano compositions.
What do you most enjoy about performing live?
During the time leading up to a performance, I am often very nervous and apprehensive. However, when I step onto the stage and begin playing all of those negative feelings wash away from me. The piano is a lonely instrument, but during performances I am able to forget this.
What is the most important lesson that you have learned through the years of teaching and performing piano?
I think the most important lesson I’ve learned about piano is that it is the most honest instrument. You cannot lie with a piano. If you do not practice for one day, you yourself will notice. If you do not practice for three days, your friends will notice. If you do not practice for a week, everyone will notice.
Do I enjoy collaborating with other artistic mediums ?

Piano is a very lonely instrument, so I enjoy collaborating with other artists as I enjoy being a part of a group. I especially enjoy collaborating with dancers as they mirror the music and provide imagery for the sounds that I create.

What is my greatest inspiration while playing and composing?
I am unable to point to just a single thing that I draw inspiration from when it comes to my performances. I am often inspired by the landscapes that I see, the art that I view, and the joy and conflicts I may experience with myself and with other people. Therefore, when preparing for performances, I like to expose myself to as many new experiences as possible, as I draw inspiration from nearly everything that I encounter.
Why do you believe that classical music is important in the world today?
I believe that classical music is, in its essence, a very basic form of music as it is pure sound. When you listen to classical music you can hear the entire story of somebody’s life and death, but it requires a certain amount of emotional intelligence to listen to that story. I believe that classical music is important in the world today because the appreciation of it requires us to have a more intimate and honest relationship with our own emotions and feelings.
“Music is enough for a lifetime but a lifetime is not enough for music”
Sergei Rachmaninoff

“Works of art make rules, rules do not make works of art”
Claude Debussy

“I am as proud of what we don’t do as I am of what we do”
Steve Jobs

Concerto Repertoire

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W.A.Mozart – Piano concerto K. 460, 461, 488

L.V.Beethoven- Piano concerto No.5 Op.73

C. M. Weber- Konzerstuck Op.79

F.Liszt- Piano concert No.1

C. Saint-Seans- Concert No.2

Tchaikovsky- Piano Concerto No.1 Op.23

M.Ravel- Concerto in G major

G.Gershwin-Concerto in F minor

Prokofiev- Concerto No.1

Piano Preludes Book I & II, Claude Debussy

Solo Repertoire

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*J. S. BACH

French Suite-BWV 816 &817

Partita-BWV 825&826

Toccata-BWV 910&916

Italian Concerto BWV 971

Chromatic Fantasy and Fugue BWV 903 Cantata BWV 208 “Sheep may safely graze”

*F. Haydn

Numerous Piano Sonatas

*W. A. Mozart

Numerous Piano Sonatas

Variation- KV.180, KV.265, KV.354, KV.455

*L.V.Beethoven

Sonata- Op.2, No.1 Op.2, No.2 Op.2, No.3 Op.7

Op.10, No.2 Op.10, No.3 Op.13 “Pathetique”

Op.27, No.1 Op.27, No.2 “Moonlight” Op.31, No.1 Op.31, No.2 “Tempest” Op.53 “Waldstein” Op.54 Op.109 Op.110 Op.111

Variation-WoO 70, WoO 78 “Rage over a Lost Penny ” Op.129 Piano Trio- Op.97 “Archduke”

*F. Schubert

Sonata- D.664, D.845, D.958

Impromptu- D. 899, No.1, No.3, No.4 D. 935, No.3

Wanderer Fantasy D. 760

Op.14, No.1

*F. Mendelssohn

Song without words Rondo Capriccioso Op.14 Variation Op.54

Piano Trio Op.49

*F. Chopin

Ballade- Op.23, Op.38, Op.47

Etude-Op.10 No.1, 4, 5,8,9,12, Op.25, no.2, 3,4,5,8, 9, 11, 12 Impromptus-Op.66

Scherzos-Op.20, Op.31, Op.54

Sonata- Op.35

Mazurkas

Waltzes

Polonaises -Op.53, Op.61

Bolero Op.19

*F.Liszt

Sposalizio

Sonetto 47, 104, 123 del Petrarca

2 Legends of St. Francis

Hungarian Rhapsody- No.2 f# minor, No.6 Db Major, No.12 Db Major Mephisto Waltze No.1

Sonata in B minor

Ballade No.2, S.171

Paraphrase on Verdi’s Rigoletto

Etude-Transecendentales etude No.8, 10

Paganini etude No.6

*R. Schumann

8 Fantasiestucke op. 12

Sonata Op.22

ABEGG-Variation Op.1

Etudes Symphoniques Op.13

Papillons Op.2

Piano Quintet-Op.44

*J. Brahms

Sonata Op.5

Klavierstucke Op.76, Op.118

Variations Op.24

Piano Quintet Op.34

Piano Trio Op.101

*A. Scriabin

Etude Op.8 No.2, 3, 12 Sonata Op.53

*S. Rachmaninoff

Prelude (a few works) Etude Op.39 No6, 8 Sonata Op.36

*S. Prokofieff

Toccata Op.11
Sonata -Op.1, Op.28, Op.29

*D. Shostakovich

24 Preludes Op.34(Completed all)

*A. Schoenberg

3 Klavierstucke Op.11

*C. Debussy

Estampes
L ‘ile joyeuse
Etude No.6 , 8
Pour le Piano
24 Preludes, Volume 1 & 2

*Maurice Ravel

Jeux d’Eau Miroirs

*Manuel de Falla

Fantasia Baetica

*Charles Griffes

4 Roman Sketches Op.7

*Samuel Barber

4 Excursions

*Alberto Ginastera

Sonata Op.22

*John Corigliano

Etude-Fantasy

*William Bolcom

The Serpent’s Kiss The eternal feminie

*Benjamin Lees

Fantasia

*N. Kapustin

Variations Op.41 on Theme by Stravinsky’s “Rite of Spring”

*Stella Sung

Toccata

*Lowell Liebermann

Gargoyles Op.29

*Sun-Hee Cho

After the rain III

*OckMi Han(World Premiere) A Promise
A Walk in the Park
Impromptu

Storytelling Music “Girl at Piano”